Photo Galleries Kenpo News KenpoTalk COmmunity Forums Kenpo Reference Guides Kenpo Schools Kenpo Events, Seminars and Camps Links Page Home

Ed Parker Sr. Memories
More of my fathers notes part 4


ANALOGY OF PATH OF ACTION - When a baseball player is up to bat his swing employs a path of action œand not a line of actionœ. The bat follows a path of action œso that the entire length of the bat is used to hit with, thus allowing him favorable room for adjustment. Then too, the extension of the bat significantly increases the torquing action of the hitter. Hitting the ball with just the end of the bat requires a forward thrust employing a line of actionœ. When striking in a line of action œthe advantages of torquing is void and the chances of missing the ball is exceedingly greater.

ANALOGY OF PICASSO, REMBRANDT, MICHELANGELO - Although Picasso, Rembrandt, and Michelangelo used a brush, paint, and canvas; and their paintings give us the illusion of height, width, and depth, they, nevertheless, had distinct styles of their own. Their distinctive styles stemmed from their individual methods of execution. It was how they executed their brush strokes, the paint and colors they used, the subjects they picked, characterization of their subjects, etc., that made each of these artists distinctive. Like them, we too differ when we are employing the martial arts. Although we all basically learn similar principles and concepts of the martial arts, it is our individual methods of execution contingent upon our physical and mental abilities that provide us with our own style. Then, too, it is how we apply our knowledge to the variables that confront us that further determines our choice of methods when we are defending ourselves.

ANALOGY OF ROMAN GESTURES - The action employed when executing an inverted vertical punch is identical to the Roman gesture of turning their thumbs down when deciding that a gladiator or slave was to be put to death.

ANALOGY OF A WINDSHIELD WIPER - Circular moves that use an axis to pivot from, can be compared to the action of a windshield wiperœ. These are usually follow-up moves œthat occur after a specific type of strike is delivered. For example, a heel palm strike to an opponent's jaw can be used as a pivot point as the fingers circle to the right or left while raking or slicing. You can compound your action by clawing or slicing to the left and right as many times as necessary. Action that uses one part of a natural weapon as a pivot point and the opposite end as a weapon that circles from side to side is said to employ the windshield wiper principleœ.

ANGLE MATCHINGœ - (To be added to.) Associated with moves when doing FORMS (Katas) that give symmetry to your moves.

œANGLE MATCHING Versus FRAMING - While ANGLE MATCHINGœ and FRAMING œare basically synonymous ANGLE MATCHING œis employing defensive postures which give symmetry when you are performing FORMS (Katas). FRAMING œare œmoves that are generally employed offensively.

ANGLE SWITCHING - The converting of two linear moves when you are switching to one linear and one angular move, or to two angular moves. The difference with this method of switching lies in the direction and angle in which your feet travel. It is the altered angle(s) that makes this method unique and effective. When comparing both, the angular method takes on an entirely new perspective.

ANGULAR CROSSOVERS - Crossovers that proceed in one direction and then angles to another.

Ed Parker Sr. Memories

Archived with the permission of Ed Parker Jr.

Ed Parker Sr. was the founder of the art known today as American Kenpo.
In these files, Ed Parker Jr. shares his fathers unpublished notes and other memories with us.

 

 

About KenpoTalk | Contribute Content | Terms of Use | Advertise on KenpoTalk | Privacy Policy

All content copyright 2006 KenpoTalk.com - All Rights Reserved.

Design by Bob Hubbard
Hosting by SilverStar WebDesigns Inc.